Walter Accigliaro, seriously involved in the search for a better expression through the grafic and pictorial sign, deepens and develops that formal search that in the Fiftieshas made Alba a center point for European art, through Pinot Gallizio and his “Bauhaus of imaginist experiences”, linked to the Situationist International.
In Accigliaro paintings, who wants to freeze in a single instant the feelings of his narrative structure, there is not any figurativity…”
~ Elisabetta Tolosano, 1995
- Da quel crocevia di umori 1984
- Un frammento del tardo sfolgorio 1989
- Sequenza di basamenti dal tempio dei desideri 2004 cm 46x280 tecnica mista su modulari tavole poligonali